Friday, December 07, 2012

Power to the people



Winds of change blow across Taiwan media. MALUM NALU reports
 
In Taiwan, where I spent my three weeks R&R in last month, a media revolution is sweeping the country and giving more power to the people: Citizen Journalism.
This is particularly so at the Public Television Service in Taipei where PeoPo  - short for People’s Post – has been hailed as the new media frontier of Citizen Journalism in Taiwan.
PeoPo host Julia Wang on air.-Pictures by MALUM NALU

The winds of change are blowing across Taiwan and the world as the shift is made towards web media (broadband net), convergent media (two-way interaction), and cloud media (cloud computing)
“Peopo”, according to Phil Harding of The Guardian newspaper, “could well be a model for Citizen Journalism in the future.
Citizen Journalism poster in Taipei

Taiwan, a hi-tech small island country of 23 million people, has a flourishing and prolific media that consists of four major newspapers (which already face an uphill battle against the Internet, with a steady decline in penetration rate and advertising revenue).

As of June 2011, Taiwan had:
·         171 radio stations;
·          Five terrestrial television stations;
·          62 cable television operators;
·         7,160 audio (compact disc, etc) production companies;
·         107 satellite broadcasting programme providers on 281 channels;
·         2,156 newspaper publishers;
·         8,122 magazine publishers;
·         13, 257 book publishers; and
·         1, 886 news agencies.
The rise of Web 2 in recent years has given rise to citizen journalists in recent years from passive consumers to active participants.
Popular PeoPo host, Julia Wang, live on air
PeoPo was launched in 2007 and is focused on grassroots, autonomy, empowerment, social issues, facilitating dialogue, and on freeware and creative commons.
 It uses a multi-media platform for videos (50%), photographs and text; has no editing or censorship; has had over 75,000 accumulated stories as of last month; and has over 6,000 citizen journalists.
Inside the studios of Public Television Service in Taipei
 
These citizen journalists have covered breaking and exclusive stories such as accidents, controversial land cases, background of presidential candidates, the immense disaster of Typhoon Morakot in 2009, and many others.
Journalists from 28 countries around the world, who were invited for a workshop in Taiwan last month, could not help but be fascinated by the impact of citizen journalism there.
International journalists from 28 countries at Public Service Television

Ley-chyn Lin, director of the international department at Public Television Service and a journalist himself, said Citizen Journalism was the trend of the future.
Ley-chyn Lin, director of the international department at Public Television Service and a journalist himself, says Citizen Journalism is the trend of the future.-

“I think in the future, we’ll have traditional media working with people like this (citizen journalists) side-by-side, because we can no longer cover every side of society,” he tells us.
“We still will have journalists covering regular beats like presidential office, congress, as citizen journalists are not going to do that in a very-efficient way, and we have to have season reporters doing in-depth journalism – I think that’s still the core of journalism.
Visitors to Public Television Service in Taipei

“But at the same time, for local stories and important stories happening in rural areas, we need to work with the local people, who need training in citizen journalism, to work hand-in-hand.
“That will probably be the best situation in future, I think.
“But for us as professional journalists, we have to consider that citizen journalists have certain merits, before they can work with us.
“The basic reporting skill, even the video reporting skill, is not that difficult to acquire.
News department at Public Television Service
“There are a couple of hundred people here (in Taiwan) who are very active, who acquire their own equipment, they work very hard, they are probably better video editors than many of the regular reporters.
 “The operate as a one-man band.
“They can shoot (videos), they can write, they can edit.
“They don’t do very well in the first year or second year, but they are going to be very good in the sixth, seventh, or eighth year – and they are often much specialised.”
Lin gave the example of a Taiwanese professor who, before attending an international convention some years ago, was handed a video camera by PeoPo and turned out to be an excellent reporter.
“Once they (citizen journalists) acquire these basis video reporting skills, they will produce more-credible stories than journalists who have no specialty,” he said.
“These are things we (journalists) have to watch out for.
“I think the media has been democratised.
“The walls are falling down!
At Public Television Service in Taipei

“I think this army of bees (citizen journalists) is going to hit us (journalists) hard in the future.”
The citizen journalists trained by Public Television Service and do not get paid for their stories.
“The incentive is they have a story to tell and there is a platform for them to tell their own stories,” Lin said.
“This is an Internet platform.
“We have more than one physical workshop a week.
“We have online tutorial material, but we go to different places, different groups like community colleges, community centres and schools to teach them the basic idea of journalism, video reporting.
“This is really the key to making the platform work.
“You get people involved, they have a sense of belonging, they communicate with people who run the platform, and they get trained in the skills and ideology.
“We don’t really have that much money, but it’s our staff that go out every weekend to train.”
Asked about the future of journalism with the onslaught of Citizen Journalism, Lin said: “I think it (journalism) is still very important to us.
“I think we still need professional journalists to do their job.
“I think journalism education needs reforms, constant reforms.
“That’s the challenge for all the journalism schools because the technology and the Internet change so fast.”
With the popular host of PeoPo Julia Wang at Public Television Service
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Trouble in paradise



PNG Surfing Association takes up fight for women. MALUM NALU reports

PAPUA New Guinea surfing classic, Splinters, made an unexpected premiere showing at a Coffee International gender equity and domestic violence against women at the Holiday Inn in Port Moresby last Friday.
Splinters is a surfing documentary that was shot over a period of four years, from 2003-2007, by Californian surfer Adam Pesce and produced by Emmy Award-winning producer, Perrin Chiles.
Its features include:

  •       300 hours compressed into 95 minutes;

  •      No million-dollar feature actors,  just six local surfers and raw footage of part of the evolution of the surfing history of PNG;

  •        Being world-premiered in 2011 at the Tribeca Film Festival in New York City after being chosen out of 3,000 entries.


 Idyllic beach scene at Lido village, Vanimo, where the Splinters movie was shot.-Pictures by MALUM NALU

Local churches such as St Therese Catholic Church, Lido, will also need to raise their voices against violence against women.

Lido village has some of the best waves in PNG during surfing season.
Splinters then went on to take out awards at the 2011 Audience Award at New Port Beach Film Festival in California, 2011 Winner Best Documentary at London Film Festival, 2011 Official Selection Documentary at Amsterdam Film Festival, 2011 Winner Halekulani Golden Orchid Hawaii International Film Festival, and 2011 Surfer Best Documentary Award out of a poll of 2 million surfers.
PNG Surfing Association president, Andrew Abel, told last Friday’s workshop that three fundamental issues emanated out of Splinters when he signed off the release, and they were:

  • Domestic violence against women;

  • Empowerment of women through the power of surfing; and

  • Responsibility of young people, marriage and obligations of making and raising children, and rule of law.

Abel said surfing communities had been established in Vanimo, Wewak, Madang, New Ireland, and soon-to-be Manus and Bougainville, but they too were not isolated from domestic violence and issues that were demonstrate in Splinters.
“You saw in a small segment of Splinters where a young man is violently hitting and kicking a young girl,” he said.
“This took place at the finals of the 2007 National Surfing Titles, which I was oblivious to as I was busy competing myself, but it was happening in full view of the crowds at the back of the judging and competition area.
“Interestingly, the young man was not one of our surfers, yet his sister he assaulted is a surfer, including their other sibling who is our reigning national open women’s surfing champion, who went on to represent PNG at the 2011 Pacific Games in New Caledonia.
“This happens daily on our streets and in our villages, towns and cities!
“When I was invited in 2011 to New York City for the world premiere (of Splinters) at the Tribeca Film Festival, including New Port Beach, California, and more recently at the Australian premiere in Melbourne, where I did the Q & As to predominantly white audiences, they too were shocked and horrified, but I told them that what they saw in that idyllic coastal village with swaying palm trees, is happening in their very own streets, towns, cities and states.
“I flick on my TV and it is on nightly news and reality shows on nearly every TV station.
“One well-to-do New York lady was so moved by the incident that she demanded that Splinters be shown on the Oprah (Winfrey) Show and be taken around the USA, to highlight what is happening in the most-powerful country in the world, despite all its wealth and power.
“For them, it was a shock, coming from an indigenous person and from a surfer for that matter, from a Pacific island nation that many may have never heard of!”
Abel said through the pursuit of surfing over the last 25 years, he had witnessed as seen in Splinters, how through the power of sports – surfing in this case –real life positive and tangible changes had come about by empowering young women in a male-dominated society, “where they had been suppressed and deprived of their rights to an equal voice and equal opportunities to surf and compete on an equal footing”.
“But more importantly,” he added, “ they can participate in all facets of the surfing and surf tourism industry running in parallel, including being nominated and accepted on the executives of our 10 SAPNG-affiliated surf clubs, where once all the womenfolk were shunned, as seen in Splinters.
“These are small but significant milestones that are the building blocks in the rural and village communities that lead to empowering our womenfolk and enabling them to become leaders and heroes in the pursuit of their dreams, aspirations and passions in life.
“This too can be replicated all over PNG, given the right support at all levels.
“In order for us to collectively achieve the objective of ridding this social evil and malignant tumor that is undermining the fabric of our families, clans, communities and society as a whole, there has to be a fundamental shift in the pendulum in our attitude and that has to start at home.
“Yes, my friends, it starts in the home, and it starts with each and every one of us present here today!”
Californian surfer and filmmaker Adam Pesce disagrees that the graphic wife beating scene is gratuitous.
“While an extreme manifestation, this was very much a part of my experience living there,” he said in an online interview.
“Almost every woman I met had an experience with domestic violence.
“It’s so out of control that there are public service announcements that remind you not to beat your mother, your wife or your daughter.
“It’s tragic and absurd.
“I disagree that the scene is gratuitous.
“If the scene is viewed on its own, without context, sure.
“But given its placement I feel it is strongly tied to the lives of the characters.”
Splinters will have its first official premiere screening in Vanimo in 2013.

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