Thursday, November 29, 2007


Zia Writers of Waria

From July 10-15, 2000, in the beginning of the new millennium, a novel development took place in Unu village, along the great Waria River of Morobe Province.

Unu hosted the first writers’ workshop of the new millennium, attracting mostly villagers who started writing two years earlier when a conference on Zia language, culture and traditional knowledge systems was organised in Dona village.

Workshop participants included husbands, wives and children, medical officers, village court magistrates, non-government organisation workers, teachers, village elders and youths.

Their lowest educational standard was grade two and the eldest was about 64.

They all wrote creatively their life stories, histories, biographies and the Zia culture during the week-long workshop, which was coordinated by Zia language speaker and University of Papua New Guinea lecturer Sakarepe Kamene, assisted by his colleague Dr Steven Winduo.

The stories talk about Waria people and how their life style is fused into nature, and how it is nurtured in the rich alluvial plain of the Waria River.

They talk about the river that in ordinary times remains tame and harmless, but in the wet season runs wild like a raging boar, causing destruction and misery to people and the surrounding areas.

Some of these stories capture and exhibit the strong sense of moral lessons.

Other stories show a much bigger picture of how nature is closely linked with society and its people.

There are also stories that recount new and sometimes strange experiences when people relocate themselves into new places or situations.

From the workshop has come an 80-page book titled Raitim Stori Bilong Laip (Writing Stories about Life): Zia Writers of Waria, which was first published in 2004 by UPNG’s Melanesian and Pacific Studies (MAPS) Centre, however, is a publication that very little people know about.

In fact I had never seen or heard of the book until Dr Winduo recently gave me a copy as an example of recent MAPS publications.

The collection of writings by the Waria writers is the first of its kind in Papua New Guinea and could serve as a benchmark for future projects in literacy and awareness throughout the country.

“Even though it has taken a long time for this publication to come out, we hope the end product of this publication will benefit others who will read this book,” Mr Kamene and Dr Winduo wrote in the book’s preface.

“It is a publication we feel confident will stand on its own.

“The stories are written in the Zia language, Tokpisin and English.

“The use of all languages in creativity is encouraged.

“In editing this book for publication, we tried to make sure the way in which the writers expressed themselves was maintained, except for basic production issues.

“Through the initial project, we knew we had moved on from basic literacy to literacy that involves people writing their stories and lives down on paper.

“We wanted to make sure those who received literacy training used the skills acquired to transform their lives.

“In the Zia writers’ workshop, this was accomplished.

“The experience we had in running the Zia writers’ workshop and in the production of this book convince us that literacy programmes and awareness programmes must go beyond basic literacy skills.

“Literacy skills and development of these skills must be encouraged.

“Inclusion of literature and various techniques of reading and writing is a must in literacy and awareness programmes.

“This publication proves that anyone can write and have their books published.”

The Zia experience greatly touched Dr Winduo, senior UPNG literature lecture, established writer, director of MAPS, and chairman of the National Literature Board.

“In a week of enthusiasm and nerves to see that our objectives to facilitate the knowledge and skills already present in the participants’ lives accomplished our goals, we were excited that the workshop was a success,” he observed.

“The participants had begun to write their stories.

“Most of them felt that they had achieved what was impossible.
“They can now write their lives down with confidence.

“The Zia people can write their history, culture and lives in books without having to go to university to study literature or how to write books.

“In my view, these students were the most-serious ones and were able to prove to me that writing is not only for those in schools or those studying literature at the university.

“Writing was always with them!

“All they needed was a catalyst to take them one step further.”

Dr Winduo feels that what has happened to the Zia people is also applicable to other villages in Papua New Guinea.

“They village people, especially youths and women, need new kinds of training that involves skills and knowledge already present in their societies,” he says.

“Indigenous forms of learning need to be encouraged.

“Developing new ways of documenting cultural and traditional knowledge systems was the way forward.

“This is one way to renew and revive the skills of reading and writing.

“People are presented with skills of reading and writing everyday, but are never given the opportunity to use the skills to empower themselves in their way of life.”

Dr Winduo has strong words.

“In a book fair in Port Moresby, a lot of views were expressed about the right to read and write, but many people consider writing as a process that empowers individuals and people.

“Writing has the power to transform a nation’s consciousness!

“If a nation can develop its own works of literature consistently, it can continuously evaluate itself and reinvent its consciousness.”

Raitim Stori Bilong Laip: Zia Writers of Waria. Edited by Sakarepe Kamene and Steven Edmund Winduo. Melanesia and Pacific Studies (MAPS), University of Papua New Guinea. Port Moresby, 2004. 80 pages. ISBN 9980-9962-0-X

Storm Boy brings back memories of another day

It was while searching a second-hand shop in Port Moresby for books recently that I found a real gem.

That book was Storm Boy, written by Australian Colin Theile, and which was later made into a classic Australian film of the same name in 1976.

I immediately pounced on the book as Storm Boy was a movie that touched my heart – and those of so many other children - so many years ago as a child in Lae.

And, indeed, my children enjoyed every minute of me reading the book to them, which just goes to show the timelessness of Storm Boy.

It also brought back so many memories of another day, particularly of the now-extinct movie theatres, which once abounded all over Papua New Guinea.

A whole generation in Papua New Guinea has sadly grown up without knowing the experience of watching movies in a cinema.

In the “happy days” of the 1950s, 1960s, and 1970s, cinemas were commonplace all over the country.

Those of us who grew up in the roaring that memorable period will know the joy of watching films on the big screen.

These days, with the advance of television, video, VCDs, and the Internet, the movie projector has become as antiquated as the time-honored typewriter.

Anyway, it was in 1978, when I was 10, that my father brought my elder brother David and I to the Huon Theatre in Lae one rainy night to watch Storm Boy.

I remember sitting with my eyes glued to the big screen, following Storm Boy’s every move, until I broke down and wept with him when his pet pelican Mr Percival was shot by hunters along a lonely, windswept Australian shore.

Every once in a while there is a special film, a film that appeals to all ages, a classic family entertainment that celebrates life and joyfully touches the heart.

Storm Boy is that film.

Storm Boy (Mike) lives with his recluse father, Hide-Away Tom, on South Australia's lonely and beautiful coast.

Years before, when Storm Boy’s mother had died, Hide-Away Tom had left Adelaide and gone to live like a hermit by the sea

Here his Storm Boy’s spirit roams with his pet pelican, Mr Percival, and his secret Aboriginal friend, Fingerbone Bill.

He knows no other world.

Suddenly there are intruders, the local school teacher who wants him to take lessons, a resentful wildlife ranger, duck shooters, hooligans with loud music.

Storm Boy, growing up, is forced to choose between a life of continued isolation and the challenges of the outside world.

One time the hunters are in the area, Mr Percival is shot down and Mike does a mad search through the long grass to find him.

The search is unsuccessful and Mike cries as he walks along the beach remembering times they spent together.

Fingerbone eventually finds Mr. Percival and buries him.

He shows Storm Boy the grave he dug, and there are a few moments of sadness, but this is turned to hope when Fingerbone shows Storm Boy a nest with a freshly hatched pelican in it: "Mr. Percival all over again, a bird like him never dies."

The film was one of the first Australian feature films made for children to become well-known and both the book and film are still widely used in school English programmes.

Wednesday, November 28, 2007


Young entrepreneur talks about the future of IT in Papua New Guinea

The establishment of digital posters is one of the biggest breaks for young IT entrepreneur, Emmanuel Narakobi, since setting up his company Masalai Communications in 2001.

The 29-year-old, (pictured left discussing digital posters with business associates in Malaysia) who turned his back on a lucrative legal career to get into IT, is, however, confident that IT has a big future in Papua New Guinea.

Narakobi, of mixed East Sepik and Morobe parentage, is a graduate lawyer of the University of PNG who was bitten by the IT bug.

He wears many other hats apart from Masalai Communications such as being general manager of Narakobi Lawyers, president of the University rugby union club, and president of the Port Moresby Rugby Football Union.

He is adamant IT can contribute to business efficiency, and contribute greatly to dissemination of information to and from villages.

Digital posters are a new, dynamic and captivating medium in PNG for products and services to be advertised to consumers, which Masalai is running in major Port Moresby supermarkets such as SVS, Stop N Shop, Boroko Foodworld and Andersons Foodland,

Other major projects Masalai has undertaken are data/voice cabling for the four-storey Post Haus in Boroko; data/voice cabling for the National Fisheries Authority in Deloitte Tower; SMS voting for Ice Discovered on EMTV; and the concept of email to SMS for Australian mobile phones which never really took off.

Right now the company is working on touch screens for customer feedback for ANZ Bank and looking at a number of e-commerce initiatives.

“I started Masalai in 2001 and I used to work from my bedroom with a dial up connection,” Narakobi remembers.

“My interest in IT and initially websites first came from seeing the Trading Post newspaper in Australia in 1999, so I thought to myself, ‘what if we had a website like that newspaper in PNG?’.

“I started the http://www.pngtradepost.com.pg/ website and then set about teaching myself how to design websites from a HTML for Dummies book.

“The Trading Post website, due a lot to my lack of attention, has not developed as much as it could have but this was what led me into website development.

“I met a friend called Phillip Korare who worked in Datec at that time and he taught me a lot of the basic HTML programming to get started.

“Masalai itself then came about from meeting two like-minded friends; we thought that we knew something about IT so we decided to give it a go.

“I was actually still in Legal Training Institute after law school and I decided that I wanted to do something different which could make a difference.

“I know that sounds really cliché but my friends and I really believed that.

“They both have since gone their own ways: one is in London now and the other is Brown Omotosho of Nichtosh.

“Brown and I are still very close and we still do a lot of projects together.

“He specialises in electrical and data/voice networks.

“And just so you know, we have started on redeveloping the Trading Post website.”

Masalai’s progress over the years has been like the proverbial tortoise; however, with the great support of his family and friends, Narakobi is proving that “slow and steady oftens wins the race”.

Masalai’s bread and butter is website development, its Content Management System for updating websites without any need for programming skills, and website analytics with Google.

Its major clients include Coca-Cola Amatil, PNG Ports Authority, National Maritime Safety Authority, Internal Revenue Commission, PNG Events Council, National Fisheries Authority, NASFUND, PNG Gas Project, Autonomous Region of Bouganville, Independent Public Business Corporation, Pryde Furniture, Ela Beach Hotel, Supreme and National Courts of PNG, Pacific Assurance Group and many more medium to small clients.

Masalai has done over 30 websites since 2001 and this year has already picked up about 20 jobs.

“I think you go through a lot of different feelings,” Narakobi says about being a young Papua New Guinean with his own IT company.

“I feel a lot of freedom in what I think and can do; I think that would be the big benefit.

“I guess I’m only restricted by my cash flows and dreams really, so it feels good knowing that.

“Of course, with that freedom comes the responsibility I feel of doing something that changes the country, hopefully, and doing it right.

“I also do feel a lot of pressure to get things right and it does hurt when I fail at anything or I fail clients.

“I currently have six staff with me: three of them are freelance contractors.

“Freelancers help keep down my costs and also allow me to source from a wider pool of talent, so I’m not stuck with one creative type of model.

“It helps me to source the best talent for any given project.

“But I am now looking at increasing my staff numbers this year so I could end up with about 10 by the end of this year.

“I feel fortunate to have met the people in my team, they have been a great support in getting us where we are today and obviously we still have more to do in improving ourselves and our skills and services.”

Narakobi feels strongly that more people in PNG must have to have access to IT.

“IT is a broad area and if you separate it into offline usage and online usage, then you can understand better where we are at in PNG.

“IT’s aim is to share information which means that an online PC or a networked PC in an office will have more usage and demands from the user.

“So in PNG, the most-networked PC’s and the most PC’s hooked onto the Internet are the ones in businesses.

“Papua New Guineans today are a lot more familiar with IT and what it can do for them.

“More people now through Internet at work have email addresses now as opposed to back in 1999.

“But IT usage now is primarily in the business world so the social and personal aspect of IT has not been developed enough yet in PNG.

“The only way for people to personally interact on the net is in their work time.

“Why?

“Because the total costs for accessing the Internet at home or personally through, say your mobile phone or a PDA is prohibitive or non-existent, and that is a direct consequence of the pricing hurdles set by ISP’s and Telikom’s Tiare Gateway.

“Businesses bear a lot of costs for IT now and they can afford to, even though it is expensive, but until the cost for personal access and overall access of Internet is lowered, we will continue to lag by 5-10 years behind the rest of the world.

“So two things need to be done.

“Firstly, Internet prices need to drop so Internet penetration rates can be increased; and secondly, entrepreneurs and businesses need to show consumers how their daily lives can be improved and be more efficient with IT initiatives, and I mean initiatives that can touch everyone in PNG from the cities to the villages.

“The future is bright and since we still have a long way to go, the only way is up so to speak.

“Internet prices will drop and the different forms of accessing the Internet will increase, whether it be from a PC at home, a PDA at a restaurant, your laptop at a hotel lobby or your mobile phone in your hand.

“This is inevitable with the way the rest of the world has gone, but for us it is only a question of how quickly that happens?”

For further information, visit the website http://www.masalai.net/ or call Emmanuel Narakobi on telephone (675) 323 6266, mobile (675) 683 6231, or email emmanuel@masalai.net.

Melissa Aigilo is Papua New Guinea's leading woman writer

Melissa Aigilo does not hide the fact that she is passionate about writing and its role in shaping Papua New Guinea.

At only 24, Aigilo is currently the country’s leading woman writer, with a book of poetry, Falling Foliage, published in 2005.

A collection of short stories and another anthology of poetry await publication.

This immensely-talented and intelligent young woman has a big following, especially among high school students, and her work is even being studied in the USA and Australia.

Her mentors, especially University of Papua New Guinea literature lecturers Dr Steven Winduo and Russel Soaba, extol the virtues of their protégé.

Soaba compares her writing to that of the great English woman writer Emily Dickenson.

However, as I found out, Aigilo is a quietly-spoken young woman who shuns the limelight to dwell on writing.

“My one book is called Falling Foliage,” she tells me.

“I also have my poems which are recorded on CD and tape in the International Library of Poetry in America.

Falling Foliage was published in 2005.

“I’ve written two books so far which haven’t gone in for publication.

“One is a collection of short stories and the other is an anthology of poetry.

“ABC has a website where my poems have been aired.

“The University of Melbourne analyses some of my poems in their literature classes.

“Since my book was published, a lot of high schools and international schools have been ordering a lot.

“I think they’ve run out of copies at the university bookshop.

“I can see the support there.”

In saying this, Aigilo empathises with the women of Papua New Guinea, saying that they are not given enough support to air their voices.

“If only other women writers were given that same support, we could change the face of Papua New Guinea because writing is a very powerful political tool.

“Women have as much to offer as men and their views and opinions need to be expressed.

“Some important issues (concerning women) are still not addressed by today’s government and need to be looked at seriously.

“It is my very strong belief that women are the backbone of society.

“So I’m calling on people in authority to give women a chance to voice their concerns, politically, and socially, through writing.

“We have a lot of women writers, but the problem is not identifying them and assisting them to bring out their work.”

Aigilo graduated from the University of Papua New Guinea in 2006 with a Bachelor of Arts in Literature degree.

She was at university from 2001 to 2005, including a year studying law; however, she found that she preferred the solitude of writing to noisy courtroom antics.

Before campus, Aigilo attended St Joseph’s International Primary School, Marianville Girls Catholic High School, and then Port Moresby National High School.

She is the eldest in a family of two sisters and two brothers.

Her father, former Police Commissioner and graduate lawyer Peter Aigilo, played a significant role in her opting for a life of writing.

One of her poems The Guardian, published in a recent issue of the literary publication Savannah Flames, is dedicated to her father.

“My dad is my mentor,” she says.

“He’s my strength.

“As a woman, I can say that.

“I like writing anything to do with prose, poetry, short stories, drama, plays.

“I think when I began to learnt how to write, I came up with ideas.

“Basically, because my dad is a lawyer, he emphasised reading and he is a reader himself.

“He used to read to me when I was younger, and that opened up my avenues for creating, so when I learnt to write, I put that creativity on paper.

“Writing is a form of liberation for me because I guess I’m a quite person.

“What I think and feel is expressed on paper.

“…some people keep journals.

“I find that poetry is like my journal.

“I am able to hide behind my words, and the style of poetry that I write is abstract.

“It’s a form of release for me.

“My saving grace!”

Aigilo could be described as a true Papua New Guinean, seeing her family connections.

“I’m from four provinces,” she elaborates.

“My mother’s part East New Britain and Morobe, and my father’s part West New Britain and East Sepik.”

Her future?

“I’ve always wanted to pass on my skills of writing to students, so while writing remains my No.1 passion, my second goal in life is to teach creative writing and literature.

“I look forward to writing more books, with the kind of assistance I’m getting from my lecturers and you in the media.”

Aigilo is blunt about her belief that writing is one of the most-important things in any society.

“I would say that, as I said, writing is a very powerful political tool.

“There are two forms of literature.

“The one that is oral is spoken and forgotten about.

“But the one which is written is preserved, and can be looked at to pave the way for the future in any aspect, whether it be social, political, religious.

“I believe that writing can change the way in which people think.

“The mind is a very complex thing.

“When you change someone’s mind, you are capable of changing a whole democracy.”

SCRIPTWRITERS

Imprinted
Letters so brashly written
Bidding attention
That's what you already have.
Words
They are hard to speak
So they come out as inscriptions.

You and I
Have something in common
You flaunt your inner self
On bus stop seats
And engrave your thoughts
On walls and dust engased shop windows
Scoring for yourself.

What would you like the world to imagine
When it reads your markings?
I create the images of a dramatist
In my mind and I envision you.
Would you remember my concealed scripts?
The way I know yours by heart
If you read them
Would you be able to fashion my personna
The way I mould your form

The words I read
Haunt me at night
Are you really out there

- MELISSA AIGILO

Florence Jaukae makes the world her stage

Everyone under the perennial-springtime climate of Goroka seems to know Florence Jaukae.

She has time for everyone, her smiles are contagious, and she is heavily involved in community affairs and charity work.

I know, because I spent almost five years working in Goroka for the Coffee Industry Corporation, and often passed her on her way to work at Frameworks Architects.

Such is the popularity of this 34-year-old woman that, in a male-dominated society such as that of the Eastern Highlands, Jaukae is a Ward 4 councillor in the Goroka Rural Local Level Government.

And she is known for her no-nonsense approach during council sessions!

However, it is with the seemingly-ubiquitous bilum, that she is making a name for herself, Goroka, and Papua New Guinea.

Florence Jaukae hit the world stage in Melbourne last March when the Papua New Guinea team wore her products at the Commonwealth Games.

The mean wore bilum ties and the women bilum dresses supplied by her Goroka-based company Jaukae Bilumwear.

It was a proud moment for her, more so, when Ryan Pini won gold for Papua New Guinea in that moment forever etched in time.

Another big break for Jaukae came in September 2006 when the Small Business Development Corporation arranged for her to travel to Hanoi, Vietnam, to attend an APEC seminar on supporting and enhancing capacity for women exporters.

Entrants in the Miss Papua New Guinea quest wore her dresses at crowing night last December.

Now, in a seemingly never-ending story, the Investment Promotion Authority arranged for her to attend an expo in Australia.

Indeed, Jaukae has made the world her stage, from very humble beginnings at her Kama village in Goroka about five years ago.

It was then that she started making and wearing dresses made like bilums.

The fad caught on in Goroka, the rest of Papua New Guinea, and the world is now Jaukae’s stage.

“We’re doing very well,” Jaukae says.

“SBDC has been very supportive and this has enabled us to get a loan from the Rural Development Bank.

“We’re got overseas customers, however, that I will not disclose because of increasing competition from other bilum dress makers.

“All I can say is that we’ve got a lot of interest from people overseas, mainly Australians.”

Jaukae Bilumwear involves about 50 women who spin and weave the wool to make dresses and other items of clothing at Kama.

“I buy the wool, give it to them, and they weave the dresses,” Jaukae says.

“They give the dresses to me and I find the customers.

“It is a labour-intensive industry.

“It can take up to two months to make a dress.

“That’s why the average cost per dress is about K300.

“The reality of it is that I don’t benefit.

“It is the women who make bilum dresses who benefit.

“About two-thirds of income goes to them while one-third comes to me, mainly to cover telephone and other administrative costs.

“We’ve come a long way over the last five to six years.”

Jaukae, however, feels that the women weavers need a lot more government assistance, especially in marketing.

She also feels that women must have readily-available access to credit, training in business, and knowledge of computers in this day and age.

“Every woman can make a bilum,” she says.

“It comes to us naturally as Papua New Guinean women.

“The government must help us find a market because the benefits trickle right down to the unemployed mothers.

“It will also fight against poverty.

“This is a new industry we’ve created in the country.

“We don’t want flattering remarks.

“We want your help.

“Marketing is the problem.

“We are looking at the government to help us find markets outside of the country.”

The future?

“I want to see this become a big industry in the country, because it is an industry for the grassroots,” Jaukae replies.

“The government should also look at creating a national dress for the country, and of course, I’m putting my hand up for bilum wear!”

People who wish to purchase genuine Jaukae bilum products can contact Florence Jaukae on mobile (675) 6868994 or email jaukaebilumwear@hotmail.com.

Flower pot man is a university graduate

Chris Dally is familiar sight outside Gerehu Stop N Shop Supermarket, Rainbow Village, and other parts of Gerehu in Port Moresby.

The tall, dreadlocked Dally, 42, from Busamang village in the south coast of Morobe Province, ekes out a living by selling beautifully-crafted flower pots made from old tyres.

Many a house in Gerehu and Rainbow Village is decorated with trademark Chris Dally flower pots.

He fashions them himself at his Gerehu Stage 5 home and then takes them to Gerehu Stop N Shop, and Rainbow Village, where his biggest clientele is.

Dally averages K300 weekly, which is enough to put food on the table for his young family, pay the bills, and put his two children to school.

He is adamant Papua New Guinea would not have such a huge unemployment problem if people eat humble pie and go into such small business.

He is also proud that he is quietly contributing to the fight against pollution and global warming by discouraging people from throwing away and burning old tyres – something for which Papua New Guineans are notorious.

But, unknown to may people, Dally isn’t just a simple flower pot peddler.

The pithy saying, “never judge a book by the cover”, rings true for him.

Chris Dally is a graduate in Building Technology from the University of Technology in Lae and, before that, completed secondary education at Sogeri National High School.

It is with disbelief that former schoolmates of university and Sogeri, friends, and wantoks pass Dally under the shady neem trees outside Gerehu Stop N Shop.

He worked with a number of firms as a building designer before, literally, being run over by old tyres.

It was quite by accident, about two years ago, that Dally took up making flower pots from old tyres.

“I learned through trial and error,” he recalls.

“I had two old types, which I sold to some men from Pindiu (Morobe province).
“They found some faults with the tyres and came back to me demanding their money back.”

Dally fashioned the two tyres into flower pots and, lo and behold, “my neighbours said that they would buy the flower pots”.

“I saw that I could make good money so I continued.

“I make small pots, large pots, and hanging ones.

“Sales are very good.

“Everything I produce is sold.

“I can make up to K300 a week.

“I pick up old tyres all over the place.

“A lot of old tyres end up being burned.

“I try to stop people from burning tyres.

“At Gerehu Stage 5, where I live, I find a lot of tyres in the main drain which runs into the swamps behind Gerehu.

“I collect the tyres, dry them, mark them with chalk, and cut them out.

“I then make holes in the tyres, wire them up, thoroughly clean them up, and paint them.

“I can make six flower pots from an average-sized tyre, which I sell for K10 each.

“So you are looking at K60 from an old tyre!

“I can make K60 per tyre, and in one week, I can work on five tyres, which add up to K300.”

Dally is a crusader for self-employment and believes that there should be no such thing as unemployment in Papua New Guinea.

“I’ve passed on some of my skills to boys on the street and they are making their own money,” he says.

“There are a lot of ways for unemployed people to make money, rather than resorting to crime.

“I think people are just too lazy.
“A lot of people are also too proud to get into such small activities.

“For example, I have brought in some young boys, but they feel embarrassed standing out on the streets selling flower pots.

“Some of my ex schoolmates (from university and Sogeri) see me and they wonder what I’m doing out there, selling flower pots, but I don’t feel embarrassed.

“The problem with Papua New Guinea is that people don’t want to work hard.

“They just want to sit back and wait for handouts.”

Dally does get the occasional building job; however, he plans to stay on in the flower pot-making business.

“At the beginning of this year, I registered a business name,” he says.

“I’m just waiting for the certificate.”

People who wish to purchase genuine Chris Dally flower pots can contact him on mobile (675) 6952966.


Amelia Earhart jigsaw continues 70 years on

The year 2007 marks the 70th anniversary of one of the greatest unsolved aviation mysteries of all time.

The mystery – that of American aviatrix Amelia Earhart – intimately involves Papua New Guinea as Lae was her last port of call before she disappeared somewhere over the vast Pacific Ocean.

Amelia Earhart, darling of American aviation, went missing in July 1937, after leaving Lae for the longest stretch of her around-the-world flight.

The mystery and a long fruitless search –costing many millions of US dollars - had begun.

Today, 70 years after her final takeoff – from Lae in Papua New Guinea’s Morobe Province – the mystery is still to be solved.

World attention was focused on Lae in 1937, and continues to this day, when it was the last port of called for Earhart before she disappeared.

Old Lae residents used to recall entertaining the couple in the Hotel Cecil the night before their departure, and then seeing them off the next morning.

Their plane was so overloaded with its eight tonnes of fuel that it was still barely clearing the waves as it disappeared from sight, flying east along the Huon Gulf coast on its way to Howland Island, 4600 kilometres to the north.

On such occasions Lae-ites, regardless of class or social position, felt they were part of history.

Today, a plaque to her memory stands at the Amelia Earhart Park, opposite the famous old Lae airport.

Up the hill from the park, at the Melanesian Hotel, the bar is named Amelia’s after this great woman.

For the last 69 years, hundreds of rumours and theories – some practical but most the products of overfertile imaginations – have kept the memories of Earhart and her navigator, Fred Noonan, alive for millions of Americans.

One of the popular crank theories is that Earhart and Noonan were on a spy flight for the US government and were captured by the Japanese and executed, something that has been vehemently disclaimed by the Japanese to this day.

Some have searched the sea, believing the plane ran out of fuel.

Others think she survived a crash landing but died on a deserted island.

The conspiracy-minded claim Earhart survived and lived out her life under an assumed name as a New Jersey housewife.

There are even bizarre, out-of-this-world urban legends that she was captured by aliens on a UFO.

To US aviation buffs, she is still ‘Amelia’ and they talk about her as though she only went missing yesterday.

The 39-year-old pilot took off from Oakland, California, on June 1, 1937, on what was reported to be her last record flight.

Slim, almost boyish, reminding one of Katherine Hepburn, Amelia Earhart had been setting records for 10 years.

In 1932, she had set a solo record for her Atlantic crossing and earned the nickname of ‘Lady Lindy’, because her slim build and facial features resembled that of Charles Lindbergh.

A year later, she married New York publishing magnate, George Palmer Putnam.

A university graduate, Earhart spoke five languages.

When not flying, she spent most of her time on welfare work in the Boston slums.

Never satisfied with her records, she was always planning something greater.

This was to be IT – the ultimate in long distance flying!

She wanted to be the first woman to fly around the world!

Navigator Fred Noonan, senior navigator of Pan American World Airlines, was considered as good as any in the United States.

He had already crossed the Pacific 18 times, directing the flight of the company’s famed China Clipper.

Their aircraft, a twin-engined Lockheed Electra, fast and sophisticated for its day, was well suited to the task.

They had reached Darwin, Northern Australia, 40 days after leaving Oakland.

Possibly to save weight for the long over-water legs to come, they had then unloaded their parachutes.

From Darwin, it was a short trip over to Lae.

New Guinea was the departing point for the most grueling leg of the flight – near 4600 kilometres over water to Howland Island, the longest ocean crossing ever attempted.

Their destination was a speck of sand and coral in the mid-Pacific 2.5 kilometres long and just under a kilometer wide.

The Lockheed was to be the first aircraft to land on its newly-constructed airstrip.

“Even with a first class navigator on board, it would be an incredible feat to find the island by celestial navigation and dead reckoning alone,” wrote Australian aviator and Earhart researcher Terry Gwynn-Jones in 1977.

“With an error of only one degree in reading, they would miss the island by 72 kilometres.

“Thus it was that the US government stationed the fleet tug Ontario half way along the route and the Coast Guard cutter Itasca at Howland.

“Besides voice communication radios, the Itasca had a radio direction finder and a radio beacon that could be picked up by the aircraft’s Bendix radio compass.

“Once the Lockheed got to within a few hundred kilometers of the island, the Itasca could guide them in.

“Or so it seemed!”

Earhart maintained radio contact with New Guinea, and then later the Itasca and Ontario, until this was lost.

Her last words were: “We are in a line of position 157-337. Will repeat this message on 6210. We are running north and south. We have only a half hour’s fuel and cannot see land.”

The message blasted through loud and clear over the radio of the United States Coast Guard ship Itasca.

The woman’s voice betrayed anxiety.

Quickly, the operator switched to the 6210 kilocycle band and waited for her call.

It never came.

Her silence was shrouded by the crackling of static interference out over the vast Pacific Ocean.

Amelia Earhart, darling of American aviation, was missing.