Honey bees, which were introduced to Papua New Guinea after World War 11, are now living in the bush in many areas of the country.
The fact that bees have survived and propagated suggests that there is huge potential for beekeeping.
Bees make honey from the nectar they collect from flowers.
This is their energy food.
Bees also collect pollen which they use for their protein food, and it seems to be abundant in PNG.
By the use of pollen traps on the hives’ entrances, pollen can also be collected which is surplus to the requirements of the colony.
This can be sold overseas where it is in demand as a health food.
The possibility of using it locally as a protein supplement has also been considered.
While the bees are collecting pollen, they do a valuable service that is not often recognised.
That is the cross-pollination or fertilisation of self-sterile flowers.
For the villager, beekeeping offers the opportunity to produce either a cash crop or a food crop without a demand on the land, and with the additional benefit of cross-pollination in nearby gardens.
In late 1976, the New Zealand Ministry of Foreign Affairs was invited to help the Department of Primary Industry with a beekeeping project under a bilateral aid scheme.
Preparations were made to expand the trial hives to 500.
Then began the process of assembling the extra equipment required, splitting existing hives into small nuclei, and introducing good quality young queen bees.
As the new colonies expanded, production monitoring was started.
The initial period of production was disappointing. This was apparently the result of unusual climactic factors which affected the flowering cycles of many plants that the bees would normally have visited.
In 1978, a good production was recorded, which proved that honey production was definitely a viable proposition.
The large honey surplus collected from some wild colonies and subsequent beekeeping trials in the Highlands confirmed that honey production should be thoroughly investigated.
However, the last 30 years have been quite for PNG’s honey industry, and it has only been in 2006 that it has started attracting a lot of interest.
This has been exemplified by the visit of the-Trade and Industry Minister Paul Tiensten to various beekeeping and honey-processing projects in Goroka recently, which coincided with the Melanesian Spearhead Group meeting.
Mr Tiensten’s visit was a vote of confidence in this fledgling industry which has the potential to bring in a lot of foreign exchange into the country.
Isten Hailens Bikipas Asosiesen – Tok Pisin for Eastern Highlands Beekeepers’ Association – has been operating since the early 1980s.
Currently, the IHBA has almost 320 registered members, who have been selected based on their experience and expertise in the industry.
Funding will be sought to reactivate and reestablish the honey industry, and from this base of farmers, other farmers and newcomers can develop.
“IHBA honey is regarded as a very high quality, organic honey and when the association was established, the first task was to establish a stable supply chain with farmers in the region,” says board secretary Steven Rere.
“IHBA’s first step was to bid for a higher price – K5 per kilogram – and to work with farmers to restore their disused hives.
“This proved to be a slow process, but confidence has returned to the farmers and they are keen to sell as much honey as possible at K5 per kilo.
“The farmers sell to a number of honey processors in Goroka, mainly Niugini Fruit Company and PNG Organic Farm Products at K5 per kilogram.”
Mr Rere adds the project will focus on the PNG market.
The PNG domestic market for honey is relatively large by Pacific Island standards, with total sales of around 60 tonnes per year,” he says.
The consumers in Papua New Guinea are relatively price-sensitive and the high price of imported honey is around K14 per 500 gram jar.
All marketing is left to the honey buyers or processors and the IHBA has nothing to do with processing and marketing at this stage.”
ey competitors will actually be overseas suppliers, mainly from Australia.
he leading brands and their retail prices are Capilano (500g at K14.70 and 375g at K9.70) and Black & Gold (750g at K16.90)
The competitors suffer from high freight costs to PNG and high import duty on their honey,” Mr Rere explains.
Accordingly, their retail prices are twice those of IHBA honey and, with the right marketing strategy, it will not be difficult to capture a high proportion of their market share.
The PNG customers for honey will be the various retailers, boarding schools, universities, colleges, hospitals, prisons, bakeries, hotels, restaurants and the limited number of commercial users.
The retailers in PNG are similar to those in other countries – they require reliable supplies of consistently good quality products at competitive prices.
It is the cheapest honey on the shelves.
IHBA will sell raw honey to the processors in Goroka.”
HBA already enjoys a number of competitive advantages including:
Strong linkages with the honey producers;
Consistent supply of good quality honey through an effective extension service;
Relatively cheap prices for the honey sourced from farmers;
An ideal climate for honey production in the Highlands region;
A genuine organic source of nectar;
Road and airfreight access to the key regional markets in PNG;
Relatively low labour costs of around K30 per week;
Established customer base in Goroka; and
Strong practical experience in bee framing and honey production.
With the right kind of support, PNG’s honey industry can be a sweet success story.
Wednesday, August 06, 2008
Tuesday, August 05, 2008
Songs of unity
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Come September 16, 2008, Papua New Guineans will join together to celebrate our 33rd anniversary of independence, linking hands to the refrain of “Oh Arise All You Sons”.
As we all join hands, spare a thought for other unity songs of that eventful period of PNG’s history, which did so much to bring together the many different tribes of this country.
“Oh Arise All You Sons” – the National Anthem – was composed by Tom Shacklady, the bandmaster of the Royal PNG Constabulary Band, and won a competition for a new anthem in the period just before independence.
It is interesting to note that when the competition was on, the song “Papua New Guinea” – composed by the remarkable Geoffrey Baskett – was proposed by many people.
Papua New Guinea
Our land is the island of high mountains,
Of sunlit palms and coral sea,
Where our people sing while the drums are beating,
For our land is strong and free.
Papua……….New Guinea……….
Papua New Guinea our Motherland
Every tribe and race, let us work together,
United we shall stand
There’s a bright new day dawning for our land
As every tribe and race unite
Sons and daughters arise, we’ll advance together
With God to guide us in the right.
Papua……….New Guinea……….
Papua New Guinea our Motherland
Every tribe and race, let us work together
United we shall stand.
Baskett, the founder of Lae-based Kristen Redio, also wrote three other songs which are printed is a hymn book that is in wide use in PNG.
Two of these songs – “Islands and Mountains” and “We Are Free” – reflect his great love of a country he spent nearly 60 years in and for which he was awarded the MBE in 1990.
Baskett was born at Kohat in the high Himalayan mountains of India and lived a fascinating life, one which every schoolboy dreams of.
As a teenager, he left Sydney for a six-week visit to Kwato, an island off the southeast coast of Papua.
That visit turned into nearly 60 years of service to the nation of PNG.
Baskett first came to PNG in 1933 and worked day and night shifts on tractors and a gold dredge on the Bulolo gold fields, served on the islands and mainland with Australia New Guinea Administrative Unit (ANGAU) during World War 11 when he rose through the ranks from private to captain.
He also worked in various capacities on the staff of the well-known Kwato Mission and founded a complex for the production of Christian radio programs for 19 radio stations before his “retirement” to Australia.
Baskett tells of the songs he wrote, and his love for PNG, in his autobiography “Islands and Mountains”.
“Four songs I have written are now printed in a hymn book that is in wide use in Papua New Guinea, and I have often thought that these songs have contributed more to this nation than any book I could have written,” he writes in the book.
“After all, a book once it has been read is usually put away on a shelf for a very long time before it is read again, whereas a song, usually a hymn, is used time and time again, often long after the death of the composer.
“One of the songs in the hymn book is called ‘Islands and Mountains’…the first verse reads:
Islands and mountains, sunshine and breeze,
Flowers and moonlight, swaying palm trees,
Jungles and rivers, white coral sand.
This is my country, this is my land.
“I wrote that for a children’s concert at Kwato, making up a tune with a suitable waltx-like rhythm.
“As it was often sung to visiting tourists, it became quite popular, especially among the Scouts and Guides.
“When some Guides sang it at a gathering in Port Moresby, it was learned by a group of Australian Guides who then took it back with them.
“Soon afterwards, I was asked if it could be printed in their Australian Guides’ songbook and I of course gave them permission.
“It is now known through international Guides’ circles as the ‘Song of Kwato’.”
Such was the impact of the song that a tobacco firm in Australia actually plagiarised its words and used them to promote its cigarette sales in Fiji.
Baskett reveals: “There is an interesting story about this song.
“A friend of mine was working for a firm in Australia which makes ‘floppy’ discs for gramophones.
“These were made by the thousands and given away as advertisements by various firms.
“One day, I received a phone call from him asking me if I knew that a tobacco firm in Australia was using my song commercially to boost their sales in Fiji.
“It appeared that he was working on the production of several thousands of discs which would be enclosed in a Fijian newspaper.
“The firm had used my tune but altered the words of some of the verses to fit the Fijian scene and my friend had already printed hundreds of the discs before he thought of phoning me.
“The words were also printed on an enclosed brochure extolling the firm’s cigarettes and this was put in every newspaper to make sure people got the message.
“I wasn’t particularly happy with the idea of my song being used to promote tobacco sales – being a non smoker – but as two of the lines said ‘we’ll build Fiji now as God has planned, make this his country, make this his land’, I was very much in favor of that idea spreading through their nation.
“So on that basis, I wrote to the manager of the firm and told him that they should have asked for my permission before printing my song and going ahead with their advertising venture.
“However, as they had already spent a great deal of money on the advertisement, it would be in order for them to proceed.
“The manger answered very apologetically and sent me a cheque for A$100 so that settled that!
“But I always feel that it was more than just conincidence that of the millions of men in Australia, the one who had been given the job of printing the floppy discs should have been a personal friend of mine who knew the tune I had composed.”
“Papua New Guinea” was composed when Baskett was working with the Department of Information.
He recalls that the director called him up one day and said that the team going to the South Pacific Games was looking for an anthem to sing, and as at that time PNG did not have a national anthem, could he do something about it for them?
“I had always enjoyed a tune which is very widely known around Port Moresby ‘Papua e, oi natumu ahaodia…’ and I thought of using this and putting new words in English to make it suitable for the occasion,” Baskett writes in Islands and Mountains.
“As the song was always sung in Motu, it was not widely known throughout the country and I thought it would be a good chance to teach others this most-attractive melody.
“Later, it was written out for the Police Band, and in time the tune was known nationwide.
“When there was a competition for a new National Anthem, this song was proposed by many people, but one that was written by the bandmaster at that time ‘Arise All You Sons’ was chose and is now the PNG National Anthem.
“Papua New Guinea” has become a popular national song and is often heard on the radio.
“The same song was sung by a group of students during a visit by Sir Paul Hasluck, who later became Governor-General of Australia,” Baskett recalls.
“After listening to the song, which speaks to us about uniting to build our nation, Sir Paul said, ‘well there is no need to make my speech now, you have sung all that I planned to say out!’”
Also at the time of independence, Baskett entered a song, which won first prize in the solo section, although he did not sing the solo.
Entitled “We Are Free”, it is now played on the radio each year during Independence Day broadcasts.
“So, as I said, I think there is more value in composing a song that is known to many thousands of people than in writing a book that is read by relatively few,” Baskett says.
Islands and Mountains
Islands and mountains, and sunshine and breeze,
Flowers and moonlight, swaying palm trees,
Jungles and rivers, white coral sand,
This is my country, this is my land.
Dark were the days when men lived in fear,
Fear of the arrow, stone club and spear,
Fighting and hatred filled every land,
That was my country, that was my land
Then came the change that brought peaceful days,
News of our Saviour, learning his ways,
Darkness is fading out of our land,
We know the peace of His guiding hand.
What of the future? Soon we shall be,
Teachers and leaders of our country,
We’ll build our nation as God had planned,
Make this His country, make this His land.
Then shall our country be free and strong,
Homes will be filled with laughter and song,
Peace in our hearts and work for our hands,
Unite our nation with other lands,
Unite our nation with other lands.
We Are Free
Like the birds as they fly over high mountains,
Like the fish as they swim in the sea,
Like the clouds as they float in the clear blue sky,
We are free! We are free! We are free!
Like the songs of a bird at the break of day,
Like the wind in the leaves of a tree,
Like the waves as they break on a coral shore,
We are free! We are free! We are free!
Independence has come, now we all must work
To unite Papua New Guinea,
We shall build our new nation in peace and love,
We are free! We are free! We are free!
We are free! We are free! We are free!
As we all join hands, spare a thought for other unity songs of that eventful period of PNG’s history, which did so much to bring together the many different tribes of this country.
“Oh Arise All You Sons” – the National Anthem – was composed by Tom Shacklady, the bandmaster of the Royal PNG Constabulary Band, and won a competition for a new anthem in the period just before independence.
It is interesting to note that when the competition was on, the song “Papua New Guinea” – composed by the remarkable Geoffrey Baskett – was proposed by many people.
Papua New Guinea
Our land is the island of high mountains,
Of sunlit palms and coral sea,
Where our people sing while the drums are beating,
For our land is strong and free.
Papua……….New Guinea……….
Papua New Guinea our Motherland
Every tribe and race, let us work together,
United we shall stand
There’s a bright new day dawning for our land
As every tribe and race unite
Sons and daughters arise, we’ll advance together
With God to guide us in the right.
Papua……….New Guinea……….
Papua New Guinea our Motherland
Every tribe and race, let us work together
United we shall stand.
Baskett, the founder of Lae-based Kristen Redio, also wrote three other songs which are printed is a hymn book that is in wide use in PNG.
Two of these songs – “Islands and Mountains” and “We Are Free” – reflect his great love of a country he spent nearly 60 years in and for which he was awarded the MBE in 1990.
Baskett was born at Kohat in the high Himalayan mountains of India and lived a fascinating life, one which every schoolboy dreams of.
As a teenager, he left Sydney for a six-week visit to Kwato, an island off the southeast coast of Papua.
That visit turned into nearly 60 years of service to the nation of PNG.
Baskett first came to PNG in 1933 and worked day and night shifts on tractors and a gold dredge on the Bulolo gold fields, served on the islands and mainland with Australia New Guinea Administrative Unit (ANGAU) during World War 11 when he rose through the ranks from private to captain.
He also worked in various capacities on the staff of the well-known Kwato Mission and founded a complex for the production of Christian radio programs for 19 radio stations before his “retirement” to Australia.
Baskett tells of the songs he wrote, and his love for PNG, in his autobiography “Islands and Mountains”.
“Four songs I have written are now printed in a hymn book that is in wide use in Papua New Guinea, and I have often thought that these songs have contributed more to this nation than any book I could have written,” he writes in the book.
“After all, a book once it has been read is usually put away on a shelf for a very long time before it is read again, whereas a song, usually a hymn, is used time and time again, often long after the death of the composer.
“One of the songs in the hymn book is called ‘Islands and Mountains’…the first verse reads:
Islands and mountains, sunshine and breeze,
Flowers and moonlight, swaying palm trees,
Jungles and rivers, white coral sand.
This is my country, this is my land.
“I wrote that for a children’s concert at Kwato, making up a tune with a suitable waltx-like rhythm.
“As it was often sung to visiting tourists, it became quite popular, especially among the Scouts and Guides.
“When some Guides sang it at a gathering in Port Moresby, it was learned by a group of Australian Guides who then took it back with them.
“Soon afterwards, I was asked if it could be printed in their Australian Guides’ songbook and I of course gave them permission.
“It is now known through international Guides’ circles as the ‘Song of Kwato’.”
Such was the impact of the song that a tobacco firm in Australia actually plagiarised its words and used them to promote its cigarette sales in Fiji.
Baskett reveals: “There is an interesting story about this song.
“A friend of mine was working for a firm in Australia which makes ‘floppy’ discs for gramophones.
“These were made by the thousands and given away as advertisements by various firms.
“One day, I received a phone call from him asking me if I knew that a tobacco firm in Australia was using my song commercially to boost their sales in Fiji.
“It appeared that he was working on the production of several thousands of discs which would be enclosed in a Fijian newspaper.
“The firm had used my tune but altered the words of some of the verses to fit the Fijian scene and my friend had already printed hundreds of the discs before he thought of phoning me.
“The words were also printed on an enclosed brochure extolling the firm’s cigarettes and this was put in every newspaper to make sure people got the message.
“I wasn’t particularly happy with the idea of my song being used to promote tobacco sales – being a non smoker – but as two of the lines said ‘we’ll build Fiji now as God has planned, make this his country, make this his land’, I was very much in favor of that idea spreading through their nation.
“So on that basis, I wrote to the manager of the firm and told him that they should have asked for my permission before printing my song and going ahead with their advertising venture.
“However, as they had already spent a great deal of money on the advertisement, it would be in order for them to proceed.
“The manger answered very apologetically and sent me a cheque for A$100 so that settled that!
“But I always feel that it was more than just conincidence that of the millions of men in Australia, the one who had been given the job of printing the floppy discs should have been a personal friend of mine who knew the tune I had composed.”
“Papua New Guinea” was composed when Baskett was working with the Department of Information.
He recalls that the director called him up one day and said that the team going to the South Pacific Games was looking for an anthem to sing, and as at that time PNG did not have a national anthem, could he do something about it for them?
“I had always enjoyed a tune which is very widely known around Port Moresby ‘Papua e, oi natumu ahaodia…’ and I thought of using this and putting new words in English to make it suitable for the occasion,” Baskett writes in Islands and Mountains.
“As the song was always sung in Motu, it was not widely known throughout the country and I thought it would be a good chance to teach others this most-attractive melody.
“Later, it was written out for the Police Band, and in time the tune was known nationwide.
“When there was a competition for a new National Anthem, this song was proposed by many people, but one that was written by the bandmaster at that time ‘Arise All You Sons’ was chose and is now the PNG National Anthem.
“Papua New Guinea” has become a popular national song and is often heard on the radio.
“The same song was sung by a group of students during a visit by Sir Paul Hasluck, who later became Governor-General of Australia,” Baskett recalls.
“After listening to the song, which speaks to us about uniting to build our nation, Sir Paul said, ‘well there is no need to make my speech now, you have sung all that I planned to say out!’”
Also at the time of independence, Baskett entered a song, which won first prize in the solo section, although he did not sing the solo.
Entitled “We Are Free”, it is now played on the radio each year during Independence Day broadcasts.
“So, as I said, I think there is more value in composing a song that is known to many thousands of people than in writing a book that is read by relatively few,” Baskett says.
Islands and Mountains
Islands and mountains, and sunshine and breeze,
Flowers and moonlight, swaying palm trees,
Jungles and rivers, white coral sand,
This is my country, this is my land.
Dark were the days when men lived in fear,
Fear of the arrow, stone club and spear,
Fighting and hatred filled every land,
That was my country, that was my land
Then came the change that brought peaceful days,
News of our Saviour, learning his ways,
Darkness is fading out of our land,
We know the peace of His guiding hand.
What of the future? Soon we shall be,
Teachers and leaders of our country,
We’ll build our nation as God had planned,
Make this His country, make this His land.
Then shall our country be free and strong,
Homes will be filled with laughter and song,
Peace in our hearts and work for our hands,
Unite our nation with other lands,
Unite our nation with other lands.
We Are Free
Like the birds as they fly over high mountains,
Like the fish as they swim in the sea,
Like the clouds as they float in the clear blue sky,
We are free! We are free! We are free!
Like the songs of a bird at the break of day,
Like the wind in the leaves of a tree,
Like the waves as they break on a coral shore,
We are free! We are free! We are free!
Independence has come, now we all must work
To unite Papua New Guinea,
We shall build our new nation in peace and love,
We are free! We are free! We are free!
We are free! We are free! We are free!
Thomas Shacklady - Composer of Papua New Guinea's National Anthem
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As Papua New Guinea celebrated 30 years of Independence on September 16, 2005, and as we all joined hands to “sing of our joy to be free”, there was not much thought for the man who composed our National Anthem.
His name is Thomas Shacklady (pictured above), who died of a stroke early Wednesday January 25, 2006, in his home in Sydney, Australia at the age of 88.
He is remembered by many Papua New Guineans as the legendary bandmaster of the great Royal Papua New Guinea Constabulary Band from 1964 to 1982.
Picture at right, above, shows Superintendant Thomas Shacklady (left) with an American Admiral inspecting a Royal PNG Constabulary Guard of Honour circa 1975
"His name is embedded in Papua New Guinea's history,” said Prime Minister Sir Michael Somare.
"He will be remembered with pride for a very long time - as long as every school child stands in the morning assembly to sing the national song, or as long as our national sporting heroes stand tall at a podium."
The RPNGC Band gained international acclaim under Shacklady’s leadership and toured many countries including Australia, New Zealand, the United States, South East Asia, other Pacific Islands, and in 1970, the Edinburgh Tattoo in Scotland.
But it is through the words of the Papua New Guinea National Anthem that Shacklady has been immortalised.
Shacklady was a World War 11 hero who fought with distinction for the British Royal Marines.
For his war service he received the 1939-45 Star, Italy Star, Africa Star, Defence Medal and War Service Medal.
Like thousands of others being discharged from the forces, Shacklady found that work was not easy to find and had several jobs over the next three years; night-watchman, butler, and working as a freelance musician.
He ran and worked with several private dance bands, while playing bass trombone with the BBC's Scottish Orchestra.
It was a couple of years after this while in London that Shacklady saw an ad in a newspaper calling for volunteers for the Australian Defence Forces and on September 21, 1951, he enlisted in the Australian Army.
The family took passage aboard the RMS Asturius sailing from Southampton on December 1 for Melbourne, Victoria.
On arrival at Melbourne they spent four or five days being processed before being sent by train to Adelaide in South Australia where Shacklady joined the Kensington Central Command Band based at the Inverbrakie Camp, Woodside.
Over the next six years Shacklady trained three bands a year from the National Service intakes.
In 1953 he was promoted Corporal and added the EIIR Coronation Medal to his awards.
In early 1955 he was raised to the rank of Sergeant, and was awarded the British Empire Medal for his service to the formation of NS bands.
In 1957, Shacklady was transferred to the Papua New Guinea Army band based at Port Moresby and was promoted to Warrant rank.
He returned to Australia in 1959 and for the next five years was Bandmaster of the Enogerra Base, Army band, in Brisbane.
He also took on the unenviable task of managing the base's swimming pool.
He was discharged from the Australian Army on March 6, 1964, and on the 14th, commissioned into the Papua New Guinea Constabulary as Bandmaster with the rank of Inspector.
One of Shacklady’s fondest memories occurred at the Mount Hagen Show in 1965, an annual event involving the gathering of tens of thousands of New Guinea's tribesmen in the highland township.
The event was officially opened by the Earl Mountbatten of Burma who was reported in the press as being highly surprised and delighted that the Band of the Papua New Guinea Police, in one of the most primitive and remote locations on Earth, was playing the Earl's personal march, the Preobrajenski.
The official procedures were halted whilst the Earl walked over to the Band to congratulate Shacklady and comment that he had correctly assumed that the Bandmaster must be an ex Royal Marine.
The RPNGC Band gained considerable recognition under Shacklady’s direction, touring many countries from 1967 to 1975 including Australia on several occasions, New Zealand, the United States, South East Asia, other Pacific Islands and in 1970, the Edinburgh Tattoo in Scotland.
In April 1970, he was transferred to general police duties at Rabaul on East New Britain for a year and then returned to Kila where he remained as Bandmaster until 1975.
This was the year that PNG was granted independence from Australian administration and was to be the highlight of Shacklady’s career.
With Independence, Shacklady was promoted to Chief Inspector and Bandmaster and as such was responsible for transferring the Band to a new training establishment at Bomana, while the new independent nation of Papua New Guinea adopted “Arise All Ye Sons of the Land”, composed by Shacklady, as its National Anthem.
The national song calling the sons (and daughters) of Papua New Guinea to arise and to “sing of our joy to be free” was adopted by the Constituent Assembly to be sung on Independence Day.
Unlike the National Flag and Emblem which were adopted four years earlier, the National Anthem was not decided until just a week before Independence Day.
It was even mooted that there would be no national song until after Independence, even though this song and others had been submitted in a nationwide competition well ahead of Independence Day.
The National Executive Council decided only on September 10, 1975, to adopt the song whose words and music were composed by Chief Inspector Thomas Shacklady, the then bandmaster of the ever-popular Royal Papua New Guinea Constabulary Band.
The words are:
O arise all you sons of this land
Let us sing of our joy to be free
Praising God and rejoicing to bee
Papua New Guinea
Shout our name from the mountains to sea
Papua New Guinea
Let us raise our voices and proclaim
Papua New Guinea
Now give thanks to the good Lord above
For His kindness, His wisdom and love
For this land of our fathers so free
Papua New Guinea
Shout again for the whole world to hear
Papua New Guinea
We’re Independent and we’re free
Papua New Guinea
On June 11, 1977, for his services to PNG he was invested a Member of the British Empire (MBE), and received the PNG Police Service Medal and PNG Independence Medal to add to his other decorations.
1978 saw him promoted to Superintendent and Director of Music RPNGC.
In 1979, Shacklady purchased some $A5.00 tickets in an Art Union (raffle) run by the Mater hospital in Brisbane, the grand prize being a fully furnished luxury home.
The winner of the 1979 home in the brand new suburb of Springwood was one Superintendent Thomas Shacklady BEM MBE!
1980 saw Shacklady promoted to Chief Superintendent, Director of Music RPNGC, the position he held until 1982 when he retired from the police, returned to Brisbane and settled in his prize home at Springwood with his family.
Three years later they sold the home at Springwood and moved to an ocean side home at Redland Bay.
Sadly, in September 1985, Danae, his wife for 48 years, quietly passed away at their bayside home.
With both his sons married and fled the nest, Tom sold the family home in 1991 and purchased the small but comfortable unit in the Forest Place retirement village at Durack, a southern suburb of Brisbane, where he now lives.
A long time member of the RMA Queensland, Tom could no longer attend meetings and take part in the social life of the association but was kept informed of its activities by their monthly journal and visits by another old member, Roy Leaney, who lived close by.
He received regular visits from his son Paul, with his three children Zoe, Katie and Suzie, when he visited Brisbane, and from Noel and his two children, David and Justine, who also live in Brisbane.
His name is Thomas Shacklady (pictured above), who died of a stroke early Wednesday January 25, 2006, in his home in Sydney, Australia at the age of 88.
He is remembered by many Papua New Guineans as the legendary bandmaster of the great Royal Papua New Guinea Constabulary Band from 1964 to 1982.
Picture at right, above, shows Superintendant Thomas Shacklady (left) with an American Admiral inspecting a Royal PNG Constabulary Guard of Honour circa 1975
"His name is embedded in Papua New Guinea's history,” said Prime Minister Sir Michael Somare.
"He will be remembered with pride for a very long time - as long as every school child stands in the morning assembly to sing the national song, or as long as our national sporting heroes stand tall at a podium."
The RPNGC Band gained international acclaim under Shacklady’s leadership and toured many countries including Australia, New Zealand, the United States, South East Asia, other Pacific Islands, and in 1970, the Edinburgh Tattoo in Scotland.
But it is through the words of the Papua New Guinea National Anthem that Shacklady has been immortalised.
Shacklady was a World War 11 hero who fought with distinction for the British Royal Marines.
For his war service he received the 1939-45 Star, Italy Star, Africa Star, Defence Medal and War Service Medal.
Like thousands of others being discharged from the forces, Shacklady found that work was not easy to find and had several jobs over the next three years; night-watchman, butler, and working as a freelance musician.
He ran and worked with several private dance bands, while playing bass trombone with the BBC's Scottish Orchestra.
It was a couple of years after this while in London that Shacklady saw an ad in a newspaper calling for volunteers for the Australian Defence Forces and on September 21, 1951, he enlisted in the Australian Army.
The family took passage aboard the RMS Asturius sailing from Southampton on December 1 for Melbourne, Victoria.
On arrival at Melbourne they spent four or five days being processed before being sent by train to Adelaide in South Australia where Shacklady joined the Kensington Central Command Band based at the Inverbrakie Camp, Woodside.
Over the next six years Shacklady trained three bands a year from the National Service intakes.
In 1953 he was promoted Corporal and added the EIIR Coronation Medal to his awards.
In early 1955 he was raised to the rank of Sergeant, and was awarded the British Empire Medal for his service to the formation of NS bands.
In 1957, Shacklady was transferred to the Papua New Guinea Army band based at Port Moresby and was promoted to Warrant rank.
He returned to Australia in 1959 and for the next five years was Bandmaster of the Enogerra Base, Army band, in Brisbane.
He also took on the unenviable task of managing the base's swimming pool.
He was discharged from the Australian Army on March 6, 1964, and on the 14th, commissioned into the Papua New Guinea Constabulary as Bandmaster with the rank of Inspector.
One of Shacklady’s fondest memories occurred at the Mount Hagen Show in 1965, an annual event involving the gathering of tens of thousands of New Guinea's tribesmen in the highland township.
The event was officially opened by the Earl Mountbatten of Burma who was reported in the press as being highly surprised and delighted that the Band of the Papua New Guinea Police, in one of the most primitive and remote locations on Earth, was playing the Earl's personal march, the Preobrajenski.
The official procedures were halted whilst the Earl walked over to the Band to congratulate Shacklady and comment that he had correctly assumed that the Bandmaster must be an ex Royal Marine.
The RPNGC Band gained considerable recognition under Shacklady’s direction, touring many countries from 1967 to 1975 including Australia on several occasions, New Zealand, the United States, South East Asia, other Pacific Islands and in 1970, the Edinburgh Tattoo in Scotland.
In April 1970, he was transferred to general police duties at Rabaul on East New Britain for a year and then returned to Kila where he remained as Bandmaster until 1975.
This was the year that PNG was granted independence from Australian administration and was to be the highlight of Shacklady’s career.
With Independence, Shacklady was promoted to Chief Inspector and Bandmaster and as such was responsible for transferring the Band to a new training establishment at Bomana, while the new independent nation of Papua New Guinea adopted “Arise All Ye Sons of the Land”, composed by Shacklady, as its National Anthem.
The national song calling the sons (and daughters) of Papua New Guinea to arise and to “sing of our joy to be free” was adopted by the Constituent Assembly to be sung on Independence Day.
Unlike the National Flag and Emblem which were adopted four years earlier, the National Anthem was not decided until just a week before Independence Day.
It was even mooted that there would be no national song until after Independence, even though this song and others had been submitted in a nationwide competition well ahead of Independence Day.
The National Executive Council decided only on September 10, 1975, to adopt the song whose words and music were composed by Chief Inspector Thomas Shacklady, the then bandmaster of the ever-popular Royal Papua New Guinea Constabulary Band.
The words are:
O arise all you sons of this land
Let us sing of our joy to be free
Praising God and rejoicing to bee
Papua New Guinea
Shout our name from the mountains to sea
Papua New Guinea
Let us raise our voices and proclaim
Papua New Guinea
Now give thanks to the good Lord above
For His kindness, His wisdom and love
For this land of our fathers so free
Papua New Guinea
Shout again for the whole world to hear
Papua New Guinea
We’re Independent and we’re free
Papua New Guinea
On June 11, 1977, for his services to PNG he was invested a Member of the British Empire (MBE), and received the PNG Police Service Medal and PNG Independence Medal to add to his other decorations.
1978 saw him promoted to Superintendent and Director of Music RPNGC.
In 1979, Shacklady purchased some $A5.00 tickets in an Art Union (raffle) run by the Mater hospital in Brisbane, the grand prize being a fully furnished luxury home.
The winner of the 1979 home in the brand new suburb of Springwood was one Superintendent Thomas Shacklady BEM MBE!
1980 saw Shacklady promoted to Chief Superintendent, Director of Music RPNGC, the position he held until 1982 when he retired from the police, returned to Brisbane and settled in his prize home at Springwood with his family.
Three years later they sold the home at Springwood and moved to an ocean side home at Redland Bay.
Sadly, in September 1985, Danae, his wife for 48 years, quietly passed away at their bayside home.
With both his sons married and fled the nest, Tom sold the family home in 1991 and purchased the small but comfortable unit in the Forest Place retirement village at Durack, a southern suburb of Brisbane, where he now lives.
A long time member of the RMA Queensland, Tom could no longer attend meetings and take part in the social life of the association but was kept informed of its activities by their monthly journal and visits by another old member, Roy Leaney, who lived close by.
He received regular visits from his son Paul, with his three children Zoe, Katie and Suzie, when he visited Brisbane, and from Noel and his two children, David and Justine, who also live in Brisbane.
Sunday, August 03, 2008
Memories of Taiwan
I must admit that it was a big culture shock for me when I arrived in Taiwan capital, Taipei, on the night of Sunday July 22, 2007, after a three-hour flight from Narita Airport in Tokyo.
Yes, I’d heard from friends and colleagues about the technological powerhouse that is Taiwan, but seeing is believing.
Neon lights bedazzled the night, skyscrapers were everywhere, and vehicles of every description zoomed by on super highways.
In the distance, a juggernaut soared into the sky, which I correctly presumed to be the 101-storey Taipei 101, the tallest building in the world.
Welcome to Taiwan!
I was in Taipei to attend a week-long APEC Digital Opportunities Centre (ADOC) Small and Medium Enterprises (SME) Entrepreneurship Workship funded by the Taiwanese government.
Taiwan has a total land area of only 36,000 square kilometres, a population of 22.7 million, and per capita income of US$15,659 (K47, 000).
It is the world’s 17th-largest trading nation and has 1.25 million enterprises, 1.22 million (97.8 per cent) of whom are SMEs.
While advanced Asian countries have emphasised large corporate units, the Taiwanese economy is dominated by SMEs.
While this might seem a disadvantage, the industry is structured in such a way that clusters of SMEs can service larger enterprises.
The Taipei 101 epitomises Taiwan’s reach for the sky to become one of the most-prosperous and competitive economies in the world.
With a height of 508 metres – and 101 stories above ground and five stories – the Taipei 101 has surpassed the 462-metre Sears Tower in Chicago and the 451-metre Petronas Twin Tower in Malaysia to acquire the title “world’s tallest building”.
Designed by world-renowned architect C.Y. Lee, the exterior of the building resembles bamboo segments, with eight stories to each segment because the number “8” signifies prosperous growth.
Each segment is shaped like a sceptre, with ancient coins on the exterior of the 26th floor to give this modern building a Chinese style.
To prevent the building from swaying during typhoons or earthquakes, an 800-tonne, US$4 million, ball-shaped damper is used to dissipate lateral vibration to a spring system underneath.
For the first time in architectural history, the damping system is not hidden, but part of the building’s design.
The world’s largest damper ball has a diameter of 5.5 metres and is visible from the 88th and 89th floors.
Taiwan is one of the most-prosperous and high-tech countries in the world, and there is no such thing as poverty or unemployment.
Its “cradle to the grave” health care and education systems are rated as among the best in the world.
Everyone seems to have a mobile phone and computer, and there is wireless Internet everywhere, meaning you can use the Internet on your laptop anywhere, without the need for a wire connection.
Taiwan, in fact, is now the world leader in producing notebook computers.
Everone seems to have one or more credit cards!
The capital Taipei never sleeps and there are just so many people.
And yet, just 50 years ago, Taiwan was a resource-poor under-developed tropical island.
Through sustained good policies over the past few decades, it has lifted its population from poverty, joining the ranks of the most-prosperous and competitive economies in the world.
Unlike Korea, Thailand, Indonesia, Malaysia and Hong Kong, it was able to weather quite unharmed the Asian financial crisis in 1997.
Today Taiwan is a technological powerhouse that ranks among the world’s top producers of notebook personal computers, flat panel displays, modems, motherboards, and other electronic components and products.
In 2004 it ranked fourth globally in the production value of its IT hardware.
It is also fifth in the World Economic Forum’s 2005-2006 Global Competitiveness rankings, with a strong showing in the area of technology and innovation, ranking third in the world in the technology index.
The 2005-2006 Global Competitiveness Report highlights Taiwan’s exceptional strength in technology issues, including an impressive capacity for innovation, firm-level technology, absorption, university/industry collaboration in research, and its pre-eminent position in the use of the latest technologies, from mobile telephones to personal computers and the Internet.
Taiwan’s transition from a poor agricultural society into an increasingly-sophisticated powerhouse of high-technology manufacturing and the world’s leading producer of information and communication technology is, without doubt, one of the most-compelling development stories of the past half century.
In his case study on Taiwan in the 2004-2005 Global Information Technology Report, F.C. Lin traces the evolution of Taiwan’s ICT industry through the first economic miracle of Taiwan’s transformation from an agricultural to an industrial economy (1953-1986) and describes the second miracle of its industrial restructuring (1987-2000), when low technology industries were forced to relocate overseas and were replaced by technology-intensive industries, particularly in the information technology sector.
Lin attributes these to the following factors: strong government leadership in maintaining a high growth rate and a strong fiscal situation, manpower development with a high level of science and technology graduates, the coalescing of high-tech clusters following the model of Silicon Valley, the development of venture capital supporting hi-tech small and medium enterprises, and a highly-energetic private sector.
He identifies the future challenges as breaking into the advanced industrial and research areas of application integration, technological innovation, and standards formulation as global competition reduces profit margins.
In addition to manufacturing them, Taiwan is already moving fast to adopt ICT.
The Institute for Information Industry (III) estimates that there were 8.92 million Internet users in Taiwan as of June 2004, with an Internet penetration rate of 39 per cent, growing 2 per cent the previous year, and showing signs of reaching saturation.
About 12.2 million people, of 54 per cent of Taiwan’s population, were general Internet users – slightly more men (56 per cent) than woman (52 per cent).
As for age groups, 95 per cent of people between 15 and 24 years, but less than 10 per cent of people over 60 were Internet users.
Papua New Guinea can learn so much from the Taiwanese experience if we are to take our place in this ever-changing world.
Yes, I’d heard from friends and colleagues about the technological powerhouse that is Taiwan, but seeing is believing.
Neon lights bedazzled the night, skyscrapers were everywhere, and vehicles of every description zoomed by on super highways.
In the distance, a juggernaut soared into the sky, which I correctly presumed to be the 101-storey Taipei 101, the tallest building in the world.
Welcome to Taiwan!
I was in Taipei to attend a week-long APEC Digital Opportunities Centre (ADOC) Small and Medium Enterprises (SME) Entrepreneurship Workship funded by the Taiwanese government.
Taiwan has a total land area of only 36,000 square kilometres, a population of 22.7 million, and per capita income of US$15,659 (K47, 000).
It is the world’s 17th-largest trading nation and has 1.25 million enterprises, 1.22 million (97.8 per cent) of whom are SMEs.
While advanced Asian countries have emphasised large corporate units, the Taiwanese economy is dominated by SMEs.
While this might seem a disadvantage, the industry is structured in such a way that clusters of SMEs can service larger enterprises.
The Taipei 101 epitomises Taiwan’s reach for the sky to become one of the most-prosperous and competitive economies in the world.
With a height of 508 metres – and 101 stories above ground and five stories – the Taipei 101 has surpassed the 462-metre Sears Tower in Chicago and the 451-metre Petronas Twin Tower in Malaysia to acquire the title “world’s tallest building”.
Designed by world-renowned architect C.Y. Lee, the exterior of the building resembles bamboo segments, with eight stories to each segment because the number “8” signifies prosperous growth.
Each segment is shaped like a sceptre, with ancient coins on the exterior of the 26th floor to give this modern building a Chinese style.
To prevent the building from swaying during typhoons or earthquakes, an 800-tonne, US$4 million, ball-shaped damper is used to dissipate lateral vibration to a spring system underneath.
For the first time in architectural history, the damping system is not hidden, but part of the building’s design.
The world’s largest damper ball has a diameter of 5.5 metres and is visible from the 88th and 89th floors.
Taiwan is one of the most-prosperous and high-tech countries in the world, and there is no such thing as poverty or unemployment.
Its “cradle to the grave” health care and education systems are rated as among the best in the world.
Everyone seems to have a mobile phone and computer, and there is wireless Internet everywhere, meaning you can use the Internet on your laptop anywhere, without the need for a wire connection.
Taiwan, in fact, is now the world leader in producing notebook computers.
Everone seems to have one or more credit cards!
The capital Taipei never sleeps and there are just so many people.
And yet, just 50 years ago, Taiwan was a resource-poor under-developed tropical island.
Through sustained good policies over the past few decades, it has lifted its population from poverty, joining the ranks of the most-prosperous and competitive economies in the world.
Unlike Korea, Thailand, Indonesia, Malaysia and Hong Kong, it was able to weather quite unharmed the Asian financial crisis in 1997.
Today Taiwan is a technological powerhouse that ranks among the world’s top producers of notebook personal computers, flat panel displays, modems, motherboards, and other electronic components and products.
In 2004 it ranked fourth globally in the production value of its IT hardware.
It is also fifth in the World Economic Forum’s 2005-2006 Global Competitiveness rankings, with a strong showing in the area of technology and innovation, ranking third in the world in the technology index.
The 2005-2006 Global Competitiveness Report highlights Taiwan’s exceptional strength in technology issues, including an impressive capacity for innovation, firm-level technology, absorption, university/industry collaboration in research, and its pre-eminent position in the use of the latest technologies, from mobile telephones to personal computers and the Internet.
Taiwan’s transition from a poor agricultural society into an increasingly-sophisticated powerhouse of high-technology manufacturing and the world’s leading producer of information and communication technology is, without doubt, one of the most-compelling development stories of the past half century.
In his case study on Taiwan in the 2004-2005 Global Information Technology Report, F.C. Lin traces the evolution of Taiwan’s ICT industry through the first economic miracle of Taiwan’s transformation from an agricultural to an industrial economy (1953-1986) and describes the second miracle of its industrial restructuring (1987-2000), when low technology industries were forced to relocate overseas and were replaced by technology-intensive industries, particularly in the information technology sector.
Lin attributes these to the following factors: strong government leadership in maintaining a high growth rate and a strong fiscal situation, manpower development with a high level of science and technology graduates, the coalescing of high-tech clusters following the model of Silicon Valley, the development of venture capital supporting hi-tech small and medium enterprises, and a highly-energetic private sector.
He identifies the future challenges as breaking into the advanced industrial and research areas of application integration, technological innovation, and standards formulation as global competition reduces profit margins.
In addition to manufacturing them, Taiwan is already moving fast to adopt ICT.
The Institute for Information Industry (III) estimates that there were 8.92 million Internet users in Taiwan as of June 2004, with an Internet penetration rate of 39 per cent, growing 2 per cent the previous year, and showing signs of reaching saturation.
About 12.2 million people, of 54 per cent of Taiwan’s population, were general Internet users – slightly more men (56 per cent) than woman (52 per cent).
As for age groups, 95 per cent of people between 15 and 24 years, but less than 10 per cent of people over 60 were Internet users.
Papua New Guinea can learn so much from the Taiwanese experience if we are to take our place in this ever-changing world.
Sir Tei Abal
Sir Tei Abal
The late Sir Tei Abal, Leader of the Opposition at Independence in 1975, carried the Highlands traditions of fight and moga into the 20th century political arena without any difficulties.
During the colonial administration when he was a Ministerial Member, he tried to delay early Independence because he felt his Highlands compatriots were not ready.Sir Tei virtually became a Highlands hero.
Essentially a traditional leader, he found his destiny when he saw the similarities at home and the political system introduced by Australia.
When he first arrived in Port Moresby as a member of the Legislative Assembly in 1964, he was out of his depth, having no formal education.
Matter of factly, he used to describe how his first real knowledge of the job of a politician came from a week’s training in parliamentary procedures.
But by the time he was visiting African countries in 1968, he had a pretty firm idea of what was expected of a politician.
Sir Tei fought for the Westminster system of government to be introduced in Papua New Guinea because it had so many similarities to traditional PNG life.
“The moga talks are much the same as meetings of Parliament,” he once said.
“One man wants to kill his pig now, and another wants to kill his pig a week from now.
“It could be that the coastal men want to have their pigs now, while the Highlanders claim they are not yet ready.”
Sir Tei was the face of the Enga people until the time of his death.At the same time, he was a man with a mandate rather than a mission.
A good Christian, nonetheless Sir Tei began his political career by being nominated in his absence.
He was a well-known medical assistant in the Wabag area, on patrol with his boss, when he was nominated and his nomination fee paid before nominations closed for the 1964 elections.
Sir Tei had heard the kiap talk about the elections and several people had urged him to stand, but he had nothing about it as he was not really sure what it was all about.
He won his seat unopposed, replacing Kibungi, who had represented Enga in the previous Legislative Council.
Since then, Sir Tei was returned to Parliament virtually unopposed in every election.
He was leader of the United Party until young guns such as Iambakey Okuk (Chimbu) and Raphael Doa (Western Highlands) started leading a campaign against him and his star started to wane.
Intra-party squabbling in the Opposition United Party started soon after Sir Tei gained the leadership when Mathias Toliman died in 1973.
An interpreter who later became an aid-post orderly, he never had any formal education.
On record, he made it clear that he felt “a more capable man” should lead the party.
However, what seemed to hold him back was the fear that once he was gone, the United Party could become the staging point for disunity and instability – which have proven to be prophetic words.
The Abal legacy continues in the current Parliament with Sir Tei’s son Sam Abal being the current Wabag MP.
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