Wednesday, January 14, 2009
Growing corn in the city
By MALUM NALU
It’s that time of the year again!
Port Moresby, which has an arid year-round climate, turns green as the rains come tumbling down.
The dry, barren hillsides around the nation’s capital are transformed into lush vegetable gardens.
Presto!
Ordinary men, women and children are suddenly transformed into backyard gardeners.
All forms of gardening are rewarding and satisfying.
But vegetable gardening - largely because the gardener can be in charge of the whole operation from seed collection to consumption - is possibly the most-rewarding.
In addition, well-grown home-produced vegetables cannot be matched for flavour and nutritional value.
And with care, considerable savings – especially in an expensive city like Port Moresby – in the family’s food budget are possible.
Vegetable gardening is also one of the easiest ways to get into small business, especially for the much talked about ‘informal sector’.
During this brief respite during the December to March period, when the rain comes down in buckets, vegetables – especially corn – abound all over the capital city.
The exceptional downpour so far this year has been a boon for corn growers.
The surplus means that the smell of freshly-barbequed corn wafts through the air at just about every street corner in the national capital.
Depending on your tastes, you can also opt for the boiled or mumu-ed variety.
The demand for corn seeds create queues at many gardening shops in Port Moresby, such as major agricultural supplier, Brian Bell.
As early as 7am, a long line of people gather in front of the Brian Bell Plaza at Boroko and the Home Centre at Gordons to buy their supplies of corn seeds.
During this period, corn gardens can be seen all over the city, including precarious hillsides.
The early birds bought their corn seeds from Brian Bell late last year – before the big rain – and immediately started sowing them at their homes.
In a little over two months, you find it amazing when seeds a quarter the size of your thumbnail grow to over six feet.
And when you see the silks and the cobs, you wait in eager anticipation for scrumptious corn on your dinner plate.
You’ve never tasted corn until you’ve tasted home-grown corn!
The cobs from the market, or worse the frozen and canned corn from the supermarket, truly pales in comparison to fresh home-grown corn on the cob.
Historic pictures of Bulolo, Morobe province, Papua New Guinea
Captions: 1. Bulolo No.1 gold dredge as she looked the first night 2. A portion of superstruction being erected 3. Aeroplane loaded to an aeroplane 4. Bulolo approximately 1958 5. Bulolo construction camp 6. Bulolo construction camp from a distance 7. Bulolo Gold Dredging 8. Hobby Centre 9. Junkers VH UOU 10. Logging a tree 11. Main views of Bulolo camp 12. Mens hall,bake haus,single dongas,beverley 13. New airstrip 14. View of pipeline and power plant at Bulwa1 15. View of pipeline and power plant at Bulwa2
Arrows of Eldorado – how the Wau-Bulolo gold rush all began
By MALUM NALU
However, Darling and his team of Orokaiva boys were attacked by the local tribemen and had to exit.
Tuesday, January 13, 2009
Two face charges over US$30m Taiwan deal
While the Taiwanese government and media have have implicated Nawaeb MP and Public Accounts Committee chairman Timothy Bonga and Dr Florian Gubon in the the US 30 million deal from, money that was supposed to come to PNG, no action has been taken against them. Taiwan, however, has gone ahead and arrested and charged several of its leaders.
Media reports in
Control Yuan proposed to impeach both high ranking officials of former president Chen Shui-bian’s administration for “their irregularities or dereliction of duty in a US$30 million proposal to build secret diplomatic ties with PNG in 2006”.
A number of PNG politicians and officials flew to
They also denied being paid money from the US$30 million, although a middleman who fled to
Mr Wang told reporters that as executive of the nation’s highest watchdog, he was in a position to raise an impeachment proposal if needed, because “the president of the Control Yuan can fully enjoy the rights and obligations of a member of the yuan”.
When taking office last Aug 1, Wang listed the US$30 million secret diplomacy scandal as one of the major, eye-catching scandals subject to thorough investigations, and claimed that he would play a role in investigating the case.
According to sources close to the Control Yuan, agency members would meet on Friday to discuss a possible impeachment against Chiou and Huang.
Although prosecutors and the Control Yuan did not find the US$30 million flowing into the accounts of Chiou and Huang, they cannot escape their administrative responsibilities.
Informed sources said the PNG scandal followed the termination of diplomatic ties with
Chiou, then secretary-general of the national security council, instructed Huang, then a foreign affairs minister, to negotiate with diplomatic brokers Chin Chi-chiu and Wu Shi-tsai over a proposal to build official ties with PNG to offset the August diplomatic setback.
Huang then asked his close aide, Johnson Chang, to accompany Chin and Wu to
Later, the accounting department of the ministry of foreign affairs, remitted US$30 million into the accounts of Chin and Wu under the instruction of Huang.
But Chin fled after clearing his account in late December 2006.
In response to the possible impeachment, Chiou said he had been well prepared for the impeachment because it would come sooner or later after the eruption of the scandal.
“This is the greatest ache in my heart over my eight years of efforts in promoting secret diplomacy,” Chiou told reporters.
Chiou stressed that he did commit administrative shortcomings, not irregularities.
Meanwhile, Huang said he felt quite sorry and upset over the eruption of the scandal.
“As a new foreign affairs minister then, I was not in a good position to cast doubts about Chiou’s instruction on promoting diplomatic ties with PNG, yet only to have myself caught in the scandal.”
Control Yuan is one of five branches of the Taiwanese government and is a watchdog of the government.
PNG women killed over 'sorcery'
By Phil Mercer
BBC News, Sydney
Police in
It is believed the victims were tortured by fellow villagers in a remote highland region 400km (250 miles) north of capital
Police believe they were forced to confess to witchcraft after they were stabbed with hot metal rods.
Human rights campaigners say it is not uncommon in
These four women had been accused by fellow villagers of using sorcery to cause a car crash in which three prison guards died.
A senior police officer said it appeared the killings took place last October and that a tip-off from tribal elders had eventually alerted the authorities.
The women's bodies were found hidden in an old pit.
It is not clear if any charges will be laid.
Tight-knit communities
Superstition has always been part of life in
Death and mysterious illness are sometimes blamed on evil curses and suspected sorcerers are often blamed and then killed.
Researchers have found that the victims are usually elderly women with little influence in the village.
Prosecuting those who kill these so-called magic makers within tight-knit communities is problematic, with potential witnesses often refusing to speak to the police.
Christianity is a powerful force in
Those suffering from HIV and Aids are often seen as the victims of witchcraft.
In the past, some Aids victims have been thrown off bridges or dumped into graves to die.
PNG tries to halt sorcery murders
The authorities in
The chairman of the Constitutional Review and Law Reform Commission said defendants were using accusations of witchcraft as an excuse to kill people.
Police say at least 50 people were killed last year across the country.
In the latest suspected incident, a young woman accused of being a witch was burnt at the stake last week.
Correspondents say deaths and mysterious illnesses are sometimes blamed on evil curses and suspected sorcerers are often blamed and then killed.
Prosecuting those who kill these so-called magic makers within tight-knit communities is problematic, they add, and rural courts often acquit those who are made to stand trial.
"It's the easy way out for someone to kill somebody else, and use sorcery as an excuse," the head of the law reform commission, Joe Mek Teine, told the Australian Broadcasting Corporation.
"And you would find that the victim is totally innocent."
Mr Mek Teine told local media that the new legislation would force rural courts to charge those accused of sorcery-related killings with premeditated murder.
"It is a problem that has been existing in the country before the arrival of Western influence, and it's deeply rooted," he told the Post-Courier newspaper last week.
"The churches have done a lot to improve it but it's getting worse every time," he added.
Call to Papua New Guinea actors and artists



“I am emailing from that
“We are a historical museum exploring the sea, ships, stars and time (see http://www.nmm.ac.uk/) and within this historical context I invite contemporary artists to develop new artworks that takes these ideas as a departure point (see www.nmm.ac.uk/newvisions) .
“The reason why I m getting in touch is that our next artist project we are developing has a very particular focus on Papua New Guinea, and I wanted to get in touch with someone who knows the subject much better than me!
“We have invited the British artist Jeremy Millar as our next exhibition: Jeremy is an artist of international influence whose artistic practice takes as its starting point important events in the history of ideas.
“For us he will be starting with a very specific incident of a journey to Papua New Guinea: ‘On the morning of 9 June 1914, the young Polish-born anthropologist Bronislaw Malinowski caught a train at Fenchurch Street station bound for Folkestone, embarking on the first stage of a journey that would take him half-way around the world to attend the Congress of the British Association of the Advancement of Science in Adelaide that August. Accompanying him on this long voyage was his boyhood friend, the artist and writer Stanislaw Ignacy Witkiewicz.
Le Feuvre said the pair planned to travel from
“The voyage, however, was interrupted by the outbreak of World War 1 and Witkiewicz left to join the Tsarist army, leaving Malinowski to continue his venture alone,” she continued.
“On reaching the
“This methodology would become the foundation for modern anthropology’."
“This historical context forms the basis of this project. Jeremy proposes to ask the very simple question: what if Witkiewicz would have continued on this venture?
“What photographs might he have taken in the Trobriands?
“Although Witkiewicz never reached
“His most celebrated play, Metaphysics of a Two-headed Calf: A Tropical-Australian Play, was set in
Le Feuvre said Millar intended to retrace Malinowski and Witkiewicz's steps to Port Moresby in May 2009 with the very same camera Witkiewicz would have used to create a series of contemporary portraits has he continued his journey.
“He is also interested in working with a local theatre group to stage the play Metaphysics of a Two-headed Calf: A Tropical-Australian Play - rather than directing it himself, Jeremy would like to simply work with a video recording of the event, screened within the exhibition,” she said.
“I feel that this is a very important project that engages with many concepts and ideas that are not only at the heart of this national museum's activities, but also central to far wider debates and ideas.
“We are very keen to work with Jeremy on this project as we really see this project as making a significant impact on future art histories, and it will be a real honour to work with an artist of his standing.
“We will be starting to plan the trip in the next few weeks, and I really wanted to just get in touch with a few key people to see if there was any special advice they could give “about the trip, an also about finding contacts of any small theatre companies who might be interested in staging the play.”
“Thank you in advance for your help.
“This has become a somewhat long email, but it seems very important to give as much information as I can.
“There is of course so much more about the project I can say... so please do let me know if you need anything else.
“With many thanks in advance.”
Lisa Le Feuvre
Curator of Contemporary Art
National Maritime Museum,
020 8312 6590



















